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Age Progression

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Here’s a little tutorial showing you how I basically go about aging a woman’s face in Photoshop.</div>
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Preface</div>
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I've been asked several times by different members to post a tutorial on how I age-progress a person. So, here it is! <img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/5698_katie.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> Men and women age a little bit differently but since I've only aged female celebrities thus far, I'll just focus on women for this tutorial. I’ll be using the image of Katie Holmes that I did for a past W1K contest, as an example.</div>
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Step 1: Choosing an Appropriate Photo</div>
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When deciding to age-progress a celebrity’s face, I try to select a picture that is touched-up as little as possible. <img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_kt_step01a.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> I find that candid shots, or any shots that have not been taken in a studio, work best because the resulting harsh lighting reveals more of the skin’s details i.e. slight bags under the eyes and faint wrinkles. The appearance of such details makes it all that much easier to visualize how your subject will age. Visualizing what the end result will look like brings you one step closer to aging her face realistically. <img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_kt_step01b.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> In Katie’s case, we can see very faint horizontal lines on her forehead, fairly obvious lines under her eyes and lines bracketing her mouth.</div>
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Step 2: Collecting Reference Material</div>
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Reference material is key in my method of aging. Keeping Katie’s face in mind, I scoured the Web, looking for faces of old women who either resemble Katie and/or share the same facial expression. Here, Katie is smiling with her face positioned at a 3/4 angle so I tried to gather as many pictures of old women who are smiling in the same manner or close to that. I then opened up the picture of Katie in Photoshop and pasted the found images around her face on a separate layer, spread out to provide easy visual access. <img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_kt_step01c.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> Another kind of reference I like to use but is usually hard to find, is pictures of the subject’s parents. I managed to find a couple of reference pictures of Katie’s mother online and they really helped me to decide whether or not to give Katie a double chin. Since her mom has quite a bit of mass under her chin, I decided I would apply that to Katie too.</div>
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Step 3: Thinning Brows</div>
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Now the fun begins! The first thing I like to do is to thin out the subject’s eyebrows and eyelashes. The older people get, the thinner their hair gets - either because hair falls out and/or because it dries out as it greys. <img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_kt_step02a.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> So to achieve this, I like to use the Clone Stamp tool at 100% with a relatively small brush size depending on the size and resolution of the image. I sampled the surrounding skin to thin and reduce the number of hairs.</div>
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Step 4: Mold the Face</div>
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Next, I like to add the basic sags to the skin. I do this in the Liquify mode. I tried to create sagging effects to the cheeks, jowls and the cliff just above the eyes by using the Push tool. For the eyes, I tried to be subtle; otherwise she may end up looking somewhat ghoulish. <img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_kt_step03a.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> From what I’ve learned about the aging process, I know that while bones cease to grow, and in fact shrink, cartilage does continue to grow. As a result, the end of a nose may appear larger as a person grows older. So while I was still in the Liquify mode, I used the Push tool to extend the length of the nose slightly. Then I used the Bloat tool to also enlarge it slightly, being careful not lose the essential quality or character of the nose. Go too far and it may not look like Katie anymore.</div>
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Step 5: The Aforementioned Double Chin</div>
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<img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_kt_step04.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> Based on her mother’s pictures, I then added a fairly massive double chin. I initially used the Airbrush tool with some fairly broad strokes, sampling the colors that were already in the area of her neck. I then worked in the details with a finer brush size. Also, keep in mind that I was also using the other reference photos of older women to guide me.</div>
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Step 6: Wrinkle Up the Eyes</div>
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For me, the most important parts to get right are the eyes. They can make or break the project. Done wrong and the picture may no longer be identifiable as one of Katie Holmes anymore. I sought out the fine lines around the eyes and I tried to imagine how they would progress into wrinkles. I then extended them in length and width accordingly. Referencing the pictures of old women helped a lot with this step. <img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_KT_step05.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> I used a combination of the Stamp tool and Brush tool. I wish I could explain my technique at this point in a more clinical manner but mostly I relied on my artistic instincts. I emphasized the wrinkles around the eyes by widening and deepening the lines slightly and increasing the contrast by darkening the recesses and lightening the edges. Also, I extended wrinkles to the cheekbone areas. I then applied the same technique to the wrinkles around the mouth and to the forehead.</div>
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Step 6: Reducing the Lips</div>
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In this step, I work on the lips. As people grow older, the outline of the lips tends to recede. Using the Stamp tool, I sampled the skin surrounding the lips and thinned them out. <img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_kt_step06.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> While I was at it, I also added a few vertical wrinkles above the lips to give her a bit of a "prune" effect. We just want a hint of that, so don’t carve out deep lines; deep lines would only be necessary if she was puckering her lips.</div>
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Step 7: Planning Out More Wrinkles</div>
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<img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_kt_step07.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> Here, on a separate layer, I faintly outlined or sketched, with a relatively thin brush size, areas that I may or may not add more lines and wrinkles to. It’s easy to get carried away with the addition of wrinkles. So, I stopped, took a step back and assessed where to take to image. For me, it's essential and a great test to see what best works.</div>
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Step 8: Touching Up the Wrinkles</div>
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Based on the previous step, I added wrinkles where I thought they were needed most. <img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_kt_step08.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> Overall, I found that the wrinkles and lines seemed a little flat in comparison to the rest of Katie’s features. They needed more definition so that they could pop out more. So, I highlighted the raised edges of the individual lines with the Brush tool and with a lighter skin tone.</div>
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Step 9: Hairy Lips</div>
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Facial hair becomes an issue with most women as they age. For some strange reason they lose it in the brow area and grow it back around the mouth area. I didn’t want Katie to be the exception so with a very fine brush size and the Brush tool, I added hairs to her upper lip. <img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_kt_step09.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> I tried to make it as subtle as possible. Hairs too thick or dark would draw the viewer’s attention straight to her mustache and I didn’t want that. I also added more wrinkles to the area below the corners of her mouth.</div>
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Step 10: Refining the Neck</div>
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<img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_kt_step10.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> I decided that the neck was too smooth for a woman of 75 years of age. So I added finer wrinkles to that area. Also, I added more mass and weight to her jowls with the airbrush by increasing the value of the tones in those areas thus creating more contrast between surface planes.</div>
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Step 11: Adding Age Spots</div>
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A key component to effective aging of a face is the addition of age spots. <img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_kt_step11.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> So at this point, I sampled one of the darker skin tones on her face, and on a separate layer that was set to Multiply and 30% opacity, I brushed them in and tried to create irregular shapes (there IS no perfect age spot). You can add as many as you like; the amount varies from person to person. I decided to be conservative with Katie.</div>
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Step 12: More Refinements</div>
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I took a little break from it and came back to it later to possibly get a better perspective on it. When I looked at it, at this point, I decided that certain areas needed refining and added detail. This is the beauty of working with a high-resolution file; I can zoom in real close and deal with a wrinkle up-close and personal. <img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_kt_step12.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> Unless their teeth were subjected to regular whitening, most people’s teeth yellow with age. Gums also recede, showing less gum and more bone. And so with that in mind, I sampled a yellowish-brown color and on a new layer that was set to Multiply and 30% opacity and painted that color to the teeth with the Brush tool. Her gums didn’t show to begin with, so receding the gums here wasn’t necessary.</div>
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Step 13: Preparing the Hair</div>
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<img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_kt_step14.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> The finishing touch here is greying the hair. I began by creating a mask defining the area of the hair. I used the brush for this and tried my best to define as many loose strands of hair that I could. <img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_kt_step15.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> With this mask as a selection, I then created a Hue/Saturation adjustment layer and reduced the saturation to –63. <img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_kt_step16.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> I then created a new adjustment layer based on the same mask and adjusted the Brightness/Contrast to brightness +9 and contrast –36. As a result, I found that the darker areas were too pale and caused a loss of depth and so to adjust that, I then selected the mask and scratched out the darker areas with a 5px brush size at 50% opacity so that they could show through from the original image.</div>
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Step 14: Hair Raising</div>
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The next step was to raise the hairline and thin out the hair. Hair loss is common with both sexes. <img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_kt_step17.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> I sampled the area at the top of the forehead and extended the skin area above the original hairline.</div>
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Step 15: Greying the Hair</div>
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A lot of details of the hair were lost in the previous step so with a thin brush size at 80 percent opacity I drew in fine grey hairs, sparsely laid out. <img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_kT_step19.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> Patiently, slowly, stroke by stroke I added more and more hairs until I was happy with the amount of grey I had added.</div>
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Step 16: Finishing Touches</div>
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Finally, I took a step back, refined a few wrinkles here and there ET VOILA! <img border="0" src="http://www.exguides.org/photoshop-tutorials/images-age/40004_kt_step20.jpg" style="border: 1px solid rgb(176, 176, 176); margin: 5px 15px 6px; padding: 5px;" /> I hope this tutorial was insightful. It may not be the most technically detailed tutorial but it gives you a good idea of the process I go through to get the job done. Hopefully, it will help you create your own trophy-winning images for future Fountain of Age contests!</div>
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Sumber : <a href="http://www.exguides.org/" target="_blank">exguides</a></div>

Age Progression

Here’s a little tutorial showing you how I basically go about aging a woman’s face in Photoshop. Preface I've been asked several ti...

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11/19/2014 11:53:00 PM

Robotic Frog – Kodok Robot

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In this tutorial, I'm going to show you some of the steps I took in making this image 
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<li>There are a number of tricks and techniques people use when making an image of this nature, but I am going to show how I created this image using only the very basic tools. The same principles and process can be used on any animals, even humans, but I'm going to use a frog for my example because why not?</li>
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The first thing I did was gathered a few source images. 
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Finding a great subject source image to start with is one of the most important stages in the whole process. The reason I chose this particular image of a frog was that it was crisp, clean image with an interesting enough perspective, yet still be instantly recognizable as a frog even after we cover him in mechanical parts. 
Now that we have our main subject and a few mechanical pieces ready, let's begin mechanicalizing him. 
 
2. I needed to extract the usable parts from my mechanical sources. Using the Lasso Tool, I roughly selected areas from my mechanical sources I figured I could use, and saved these parts into a new document for easy access later. </div>
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I tried to select segments of varying shapes, sizes, and texture in order to create a nice library of chrome and mechanical sources for our image</div>
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3. The first thing I needed to do was to assemble the basic structure of the figure. Taking segments one by one, I started the assembly process of the actual robot figure. After pasting a segment of chrome onto our frog, we need to shape it. Using the Transform - Distort Tool, I transformed and skewed the segment in order to fit the contours of the frog's head. Making sure to always follow the curves and contours of the frog in order to help keep the familiar recognizable shape of the original frog. 
<img border="0" src="http://www.worth1000.com/hosted/tutorials/47971_3c1.jpg" style="border: 0px; margin: 0px; padding: 0px;" /> 
 
4. Now we need to cover more space using the same basic idea. By selecting basic segments from our chrome sources and free transforming them to fit the shape of our frog. Select segments of your mechanical parts that best resemble the area of the frog you're trying to cover. It may help you to start by applying the pieces furthest most from the camera first, then overlap pieces as you come closer and closer to the camera. At this point i'm not worried about covering the background or overlapping any of the original frog, as we can go back and add them in again later. For now I just want to lay down the basic structure of the figure. 
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5. In order to create the mouth area, I needed to do something slightly different. I found a chrome pipe area on one of our chrome source pictures. I decided to use this segment for the mouth, as it was a nice long piece of chrome that I could transform into the shape of the mouth. I copied and pasted this segment onto our frog and Free Transformed it roughly in place until I was happy enough with the positioning of it. I also added this segment onto the head of our figure to create a median point on the figure.</div>
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6. Next, all I had to do was fine tune and clean up the pieces to sit right on our figure. I did this simply by using the Smudge Tool set at 70-80% in strength, and about 7-10 pixels wide. Then I proceeded to smudge and smooth out the surfaces of the chrome pipe and mold them to fit the curves and contours of the frog's original mouth. 
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7.  When I'm satisfied with the positioning of all the mechanical pieces, the next step was to apply some highlights and shadows to separate the segments a little better. I started with the shadows. Using the Brush Tool set at 100% opacity, I painted in the black shadows on a new layer directly underneath each chrome segment layer. Next, I took the Smudge Tool set at 60-70% pressure and smoothed out the shadows. Following the contours of the underlying pieces, I shaped the shadows. The shadows should give our figure more depth and help to isolate each segment a little better 
<img border="0" src="http://www.worth1000.com/hosted/tutorials/47971_3g1.jpg" style="border: 0px; margin: 0px; padding: 0px;" /> 
 
8. Next, in order to further accentuate the shadows, we're going to add some simple highlights. Again by using the Brush Tool (this time set to white) set at 100% opacity, I painted in some basic highlights on the edges and areas I figured could use a little further bump in contrast on a new layer directly above each piece of our chrome layers. 
<img border="0" src="http://www.worth1000.com/hosted/tutorials/47971_3h1.jpg" style="border: 0px; margin: 0px; padding: 0px;" /> 
Then just like the shadows, I then took the Smudge Tool set at 60-70% pressure to smooth and shape out our highlights to fit the curves of our figure.</div>
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9. You may still notice some remnants of the original frog showing on the edges of the figure. This can be easily cleaned up with a little work using the Clone Tool. At this point, it'll be a good idea to hide all our layers except for our background layer. Create a new layer directly above your original frog image. With the Clone Tool selected, make sure you have the "select all layers" box selected. Hold the "alt" key and select an arbitrary area of the background to copy. Then it's all a matter of cloning the background in. 
<img border="0" src="http://www.worth1000.com/hosted/tutorials/47971_3i1.jpg" style="border: 0px; margin: 0px; padding: 0px;" /></div>
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10 .In order to make the image look even more interesting, I decided to create the illusion of the frog's skin being pulled away to reveal the robot. On a new layer above our background, I roughly painted the insides of the opened skin. Using the Brush Tool set at 100% opacity set to a brown, skin-toned color, I mapped out the area our skin would cover 
<img border="0" src="http://www.worth1000.com/hosted/tutorials/47971_3j1.jpg" style="border: 0px; margin: 0px; padding: 0px;" /> 
 
11. Next, I wanted to give the skin some shadow. Selecting a darker shade of our original skin color, I roughly painted in the shadows. Then, using the Smudge Tool set at 60-70% pressure, I smoothed out the shadows just (as in Step 07) until I was happy with the general placement and shape of the skin 
<img border="0" src="http://www.worth1000.com/hosted/tutorials/47971_3k1.jpg" style="border: 0px; margin: 0px; padding: 0px;" /></div>
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12.  I then wanted to add some of the original skin from the frog to form the outside of the skin as well. I opened the original frog image in a new File for easy access. Using the Lasso Tool, I selected edges of the frog's original skin to copy. I copied this selection and pasted it on to our robofrog document. Using the Transfrom-Distort Tool, I transformed the skin to follow the direction of the skin "pull". And like we did in our earlier steps, I proceeded to add slight shadows and highlights to the skin to further accentuate the "pull" effect. 
<img border="0" src="http://www.worth1000.com/hosted/tutorials/47971_3l1.jpg" style="border: 0px; margin: 0px; padding: 0px;" /> 
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13.  For the skin flaps on the arms, I did something different. First I selected the original arm and copied it onto a new layer. Then using the Smudge Tool set at 80-90% pressure, I smudged and drew in the direction of the skin and folds of the skin. Then, using darker and lighter shades from the original skin, I drew and smudged in shadows and highlights again as in the previous steps 
<img border="0" src="http://www.worth1000.com/hosted/tutorials/47971_3m1.jpg" style="border: 0px; margin: 0px; padding: 0px;" /> 
 
14.  When I was happy with the look of the skin, the next step was to go back and return some of the orginal rough skin texture from the original skin. I did this by copying an area of the original frog skin and pasting it on a new layer directly on top of our Arm Skin layer. 
<img border="0" src="http://www.worth1000.com/hosted/tutorials/47971_3n1.jpg" style="border: 0px; margin: 0px; padding: 0px;" /> 
I then set this layer with the "overlay" Blend mode. This gives our skin the rough texture. I then erased the edges of the overlay skin layer so as it covers only the necessary areas</div>
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15.  Next, I wanted to make the chrome look even more like chrome. By adding reflections from surrounding elements, I hope to add some more realism to the chrome. I did this by copying layers of surrounding elements and forming them to create an illusion of reflection. 
<img border="0" src="http://www.worth1000.com/hosted/tutorials/47971_3o1.jpg" style="border: 0px; margin: 0px; padding: 0px;" /> 
For example, as in the image above, I started by Duplicating the layer with the metal valve. I then set the opacity of this layer to 50% then using the Transform-Distort Tool, I shaped and formed the element to fit onto the shoulder chrome segment. I used this same method for other surrounding areas like the leaf and areas where the skin overlaps a chrome segment. 
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16. Finally, I needed something to hold up the frog's skin. I decided to use a couple of dragonflies for this effect. After finding a good image of a dragonfly, it was then all a matter of extracting him from the original file and pasting him onto a new layer in our working document. 
<img border="0" src="http://www.worth1000.com/hosted/tutorials/47971_3p1.jpg" style="border: 0px; margin: 0px; padding: 0px;" /> 
 
17.  I added the Motion Blue filter to the winged areas of the dragonflies to simulate motion. 
<img border="0" src="http://www.worth1000.com/hosted/tutorials/47971_3p2.jpg" style="border: 0px; margin: 0px; padding: 0px;" /> 
 
And voila! Our image is complete! A robotic frog created using only the very basic tools of photoshop!</div>
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sumber : <a href="http://www.worth1000.com/" target="_blank">worth 1000</a></div>
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Robotic Frog – Kodok Robot

In this tutorial, I'm going to show you some of the steps I took in making this image There are a number of tricks and techniqu...

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11/19/2014 11:50:00 PM

Menguasai Teknik Penggabungan dan Shaping

CorelDRAW merupakan program yang memudahkan kita dalam menggambar, untuk itu kita akan mempelajari dasar dari menggambar yaitu teknik shaping... 
 
Apa yang dimaksud teknik shaping? 
Teknik shaping adalah teknik penggabungan untuk menggabungkan 2 bangun atau lebih. 
 
contohnya: 
Untuk menggambar arah panah maka kita harus menggambar sebuah kotak dan sebuah segitiga 
1. Buka program corelDRAW - Pilih "new"  
2. Lalu gambar kotak dan segitiga dengan menggunakan tool gambar kotak di sebelah kiri atau tekan F6 
<img border="1" src="http://www.ilmugrafis.pw/coreldraw/c_dasar_1/1cd1.jpg" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 14px; line-height: 25px;" /> 
 
Lalu gambar segitiga dengan menggunakan tool "Basic Shape" 
Caranya [klik kiri] basic tool di sebelah kiri, 
<img border="1" src="http://www.ilmugrafis.pw/coreldraw/c_dasar_1/2cd1.jpg" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 14px; line-height: 25px;" /> 
lalu di sebelah atas ada pilihan properties gambar, klik panah dalam lingkaran dan pilih gambar segitiga,  
<img border="1" src="http://www.ilmugrafis.pw/coreldraw/c_dasar_1/4cd1.jpg" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 14px; line-height: 25px;" /> 
gambar segitiga tersebut di kanvas lalu [klik kiri] gambar tersebut sehingga gambar muncul tanda berputar, putar gambar 
*Hasil Gambar: 
<img border="1" src="http://www.ilmugrafis.pw/coreldraw/c_dasar_1/3cd1.jpg" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 14px; line-height: 25px;" /> 
satukan kedua gambar seperti gambar di bawah ini dengan menggunakan tool di sebelah kiri bergambar tanda panah yaitu "pick tool" 
<img border="1" src="http://www.ilmugrafis.pw/coreldraw/c_dasar_1/5cd1.jpg" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 14px; line-height: 25px;" /> 
tekan tombol [shift] lau klik segitiga dan kotak 
atau tekan [ctrl] + [A] 
Hal ini untuk selected all / memilih semua 
 
3. Setelah melakukan hal tersebut maka akan muncul properties shaping 
Tiga proses shaping yang paling sering digunakan: 
Weld = untuk menggabungkan dua bangun menjadi satu kesatuan 
Trim = untuk memotong bangun yang dikehendaki dengan potongan yang sama dengan bagun pertama yang di pilih  
Intersect = membuat bagun baru dari perpotongan kedua bangun atau lebih / irisan bangun 
 
4. Pilih shaping "Trim" 
Maka gambar akan menjadi satu kesatuan 
Warnai gambar untuk mempercantik tampilan 
<img border="1" src="http://www.ilmugrafis.pw/coreldraw/c_dasar_1/6cd1.jpg" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 14px; line-height: 25px;" /> 
Arah Panah "dengan teknik shaping - TRIM" 
 
SEMOGA BERMANFAAT

Menguasai Teknik Penggabungan dan Shaping

CorelDRAW merupakan program yang memudahkan kita dalam menggambar, untuk itu kita akan mempelajari dasar dari menggambar yaitu teknik shap...

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11/19/2014 11:45:00 PM

Penjelasan Shortcut Keys CORELDRAW Lengkap

<a class="seven" href="http://www.ilmugrafis.com/" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 14px; line-height: 25px; text-decoration: none;">Shortcut</a> Key pada corel sama halnya pada main windows, fungsinya adalah mempercepat atau mempermudah suatu aktifitas dalam <a class="seven" href="http://www.ilmugrafis.com/" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 14px; line-height: 25px; text-decoration: none;">corel</a>, sering juga disebut hot key, sering juga disebut hot key. 
 
Keunggulannya adalah kita tidak perlu klik sana sini untuk beberapa menu, misalkan jika kita ingin meng-groupkan objek, kita tinggal menyeleksi semua objek lalu menekan Ctrl+G di keyboard tidak perlu menklik sub menu corel. 
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Kelemahannya adalah kita harus menghafalnya, tapi jika sudah terbiasa dengan shortcut-shortcut ini anda akan dapat dengan mudah dan cepat menggunakannya. 
 
Berikut ini adalah daftar Shortcut Keys standard pada corel : 
<a class="four" href="http://efenpe.blogspot.com/2014/11/coreldraw-fundamental.html" style="background-color: #444444; text-decoration: none;" target="_blank">Daftar Shortcut Default Coreldraw Klik disini</a></div>
<table border="0" cellpadding="3" cellspacing="1" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 14px; line-height: 25px;"><tbody>
<tr><td bgcolor="#666666" valign="top" width="183">Menu</td><td bgcolor="#666666" valign="top" width="134">Shortcut</td><td bgcolor="#666666" valign="top" width="325">Keterangan</td></tr>
<tr><td valign="top" width="183">Align Bottom</td><td valign="top" width="134"><div align="center">
B</div>
</td><td valign="top" width="325">Aligns selected objects to the bottom</td></tr>
<tr><td valign="top" width="183">Align Centers Horizontally</td><td valign="top" width="134"><div align="center">
E</div>
</td><td valign="top" width="325">Horizontally aligns the centers of the selecte Objects</td></tr>
<tr><td valign="top" width="183">Align Centers Vertically</td><td valign="top" width="134"><div align="center">
C</div>
</td><td valign="top" width="325">Vertically aligns the centers of the selected objects</td></tr>
<tr><td valign="top" width="183">Align Left</td><td valign="top" width="134"><div align="center">
L</div>
</td><td valign="top" width="325">Aligns selected objects to the left</td></tr>
<tr><td valign="top" width="183">Align Right</td><td valign="top" width="134"><div align="center">
R</div>
</td><td valign="top" width="325">Aligns selected objects to the right</td></tr>
<tr><td valign="top" width="183">Align To Baseline</td><td valign="top" width="134"><div align="center">
Alt+F12</div>
</td><td valign="top" width="325">Aligns text to the baseline</td></tr>
<tr><td valign="top" width="183">Align Top</td><td valign="top" width="134"><div align="center">
T</div>
</td><td valign="top" width="325">Aligns selected objects to the top</td></tr>
<tr><td valign="top" width="183">Artistic Media</td><td valign="top" width="134"><div align="center">
I</div>
</td><td valign="top" width="325">Draws curves and applies Preset, Brush, Spray, Calligraphic or Pressure Sensitive effects to the strokes</td></tr>
<tr><td bgcolor="#000000" valign="top"></td><td bgcolor="#000000" valign="top"></td><td valign="top"> </td></tr>
</tbody></table>
Daftar di atas sedikit banyak sudah saya Customize, dan saya juga akan menerangkan cara meng-customize Shortcut key tersebut 
<div style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 14px; line-height: 25px;">
Langkah-langkahnya sebagai berikut :</div>
1. Pertama Klik menu Tools lalu klik pada Option seperti pada gambar dibawah ini 
<img border="1" src="http://www.ilmugrafis.pw/coreldraw/c_dasar_8/2cd8.jpg" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 14px; line-height: 25px;" /> 
 
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Atau tekan Ctrl+J pada keyboard.</div>
Setelah itu akan keluar jendela seperti gambar dibawah ini 
<img border="1" src="http://www.ilmugrafis.pw/coreldraw/c_dasar_8/3cd8.jpg" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 14px; line-height: 25px;" /> 
 
2. Expand Workspace(klik pada segitiga kecil didepan tulisan Workspace) Seperti yang saya tandai merah nomor satu pada gambar dibawah 
<img border="1" src="http://www.ilmugrafis.pw/coreldraw/c_dasar_8/4cd8.jpg" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 14px; line-height: 25px;" /> 
Expand Customization seperti yang bertanda merah nomor 2 lalu klik Commands maka jendela tadi akan terlihat seperti gambar dibawah 
 
<img border="1" src="http://www.ilmugrafis.pw/coreldraw/c_dasar_8/5cd8.jpg" style="font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 14px; line-height: 25px;" /> 
 
Expand Workspace(klik pada segitiga kecil didepan tulisan Workspace) Seperti yang saya tandai merah nomor satu pada gambar dibawah Expand Customization seperti yang bertanda merah nomor 2 lalu klik Commands maka jendela tadi akan terlihat seperti gambar dibawah.  
 
Biasanya yang terlihat adalah menu General, klik di Shortcut Keys disebelah kanan General pilih submenu atau menu apa yang akan diberi shortcut setelah itu isi pada kolom New Shortcut Key sesuka hati klik Assign(jika di dalam kolom “Currently assigned  to:” keluar tulisan maka Shortcut yang kita masukan sudah terpakai, jadi mohon untuk diganti) setelah meng-klik tombol Assign tadi maka pada kolomCurrent Shortcut Keys akan keluar Shortcut yg kita masukan tadi.

Penjelasan Shortcut Keys CORELDRAW Lengkap

Shortcut Key pada corel sama halnya pada main windows, fungsinya adalah mempercepat atau mempermudah suatu aktifitas dalam corel , sering ...

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11/19/2014 11:43:00 PM

CorelDRAW Fundamental

<h1 align="center">
Tips Trik Penjelasan Shortcut dan Layout Coreldraw Lengkap</h1>
<img alt="Shortcut Coreldraw" height="348" src="https://dl.dropboxusercontent.com/u/75833429/layout-coreldraw.jpg" width="420" /> <a class="eight" href="http://www.ilmugrafis.com/coreldraw/layout-coreldraw.jpg" target="_blank">LAYOUT CORELDRAW X3</a> 
<a href="https://dl.dropboxusercontent.com/u/75833429/layout-coreldraw-x7-terbaru.png" target="_blank"><img alt="Layout Coreldraw X7 terbaru" height="477" src="https://dl.dropboxusercontent.com/u/75833429/layout-coreldraw-x7-terbaru.png" width="800" /></a> LAYOUT CORELDRAW X7 (klik to Zoom) 
+ Keterangan : 
<ul>
<li>Main Menu = Sederetan Menu yang dipersiapkan untuk membantu dalam proses pembuatan dan editing gambar</li>
<li>Toolbox = kumpulan tool atau alat-alat yang digunakan untuk mengedit gambar</li>
<li>Properties Bar = Tempat kita melakukan pengaturan</li>
<li>Pilihan Warna / Color Pallete = Memberikan dan memberi warna pada object</li>
<li>Lembar / Kertas Kerja = Tempat kita menggambar / bekerja</li>
</ul>
<hr />
<h3 align="center">
Shortcut Lengkap Untuk Corel Draw</h3>
<table border="0" cellpadding="4" cellspacing="0" style="color: black; width: 100%px;"><tbody>
<tr><td align="left" bgcolor="#FFFFFF" valign="top" width="50%">Break Apart ===> Ctrl+K Combine ===> Ctrl+L Contour ===> Ctrl+F9 Copy ===> Ctrl+C Copy ===> Ctrl+Insert Duplicate ===> Ctrl+D Ellipse ===> F7 Envelope ===> Ctrl+F7 Export... ===> Ctrl+E Find Text... ===> Alt+F3 Format Text... ===> Ctrl+T Freehand ===> F5 Full-Screen Preview ===> F9 Graph Paper ===> D Group ===> Ctrl+G Import... ===> Ctrl+I Lens ===> Alt+F3 New ===> Ctrl+N Open... ===> Ctrl+O Options... ===> Ctrl+J Paste ===> Ctrl+V Paste ===> Shift+Insert Polygon ===> Y Position ===> Alt+F7 Print... ===> Ctrl+P Rectangle ===> F6 Repeat ===> Ctrl+R Rotate ===> Alt+F8 Save... ===> Ctrl+S Scale ===> Alt+F9 Spell Check... ===> Ctrl+F12 Spiral ===> A Text ===> F8 Undo ===> Ctrl+Z Undo ===> Alt+Backspace Ungroup ===> Ctrl+U Visual Basic Editor... ===> Alt+F11 What's This? ===> Shift+F1 Align Bottom ===> B Align Centers Horizontally ===> E Align Centers Vertically ===> C Align Left ===> L Align Right ===> R Align To Baseline ===> Alt+F12 Align Top ===> T All Small Capitals ===> Ctrl+Shift+K Artistic Media ===> I Back ===> Ctrl+PgDn Bold ===> Ctrl+B Brightness/Contrast/Intensity... ===> Ctrl+B Bring up Property Bar ===> Ctrl+Return Bullet ===> Ctrl+M Change Case... ===> Shift+F3 Center ===> Ctrl+E Center to Page ===> P Color Balance... ===> Ctrl+Shift+B Color ===> Shift+F12 Color ===> Shift+F11 Convert ===> Ctrl+F8 Convert To Curves ===> Ctrl+Q Convert Outline To Object ===> Ctrl+Shift+Q Cut ===> Ctrl+X Cut ===> Shift+Delete Delete ===> Delete Delete Character to Right ===> Delete Delete Word to Right ===> Ctrl+Delete Distribute Bottom ===> Shift+B Distribute Centers Horizontally ===> Shift+E Distribute Centers Vertically ===> Shift+C Distribute Left ===> Shift+L Distribute Right ===> Shift+R Distribute Spacing Horizontally ===> Shift+P Distribute Spacing Vertically ===> Shift+A Distribute Top ===> Shift+T Drop Cap ===> Ctrl+Shift+D Edit Text... ===> Ctrl+Shift+T Exit ===> Alt+F4 Eraser ===> X Font List ===> Ctrl+Shift+F Font Size Decrease ===> Ctrl+NUMPAD2 Font Size Decrease ===> Ctrl+NUMPAD2 Font Size Increase ===> Ctrl+NUMPAD8 Font Size Increase ===> Ctrl+NUMPAD8 Font Size List ===> Ctrl+Shift+P Font Size Next Combo Size ===> Ctrl+NUMPAD6 Font Size Next Combo Size ===> Ctrl+NUMPAD6 Font Size Previous Combo Size ===> Ctrl+NUMPAD4 Font Size Previous Combo Size ===> Ctrl+NUMPAD4 Font Weight List ===> Ctrl+Shift+W Force Full ===> Ctrl+H Forward One ===> Ctrl+PgUp Fountain ===> F11 Full ===> Ctrl+J</td><td align="left" bgcolor="#FFFFFF" valign="top" width="50%">Graphic and Text Styles ===> Ctrl+F5 HTML Font Size List ===> Ctrl+Shift+H Hand ===> H Horizontal Text ===> Ctrl+, Hue/Saturation/Lightness... ===> Ctrl+Shift+U Insert Character ===> Ctrl+F11 Interactive Fill ===> G Italic ===> Ctrl+I Left ===> Ctrl+L Linear ===> Alt+F2 Mesh Fill ===> M Micro Nudge Down ===> Ctrl+DnArrow Micro Nudge Left ===> Ctrl+LeftArrow Micro Nudge Right ===> Ctrl+RightArrow Micro Nudge Up ===> Ctrl+UpArrow Move Down 1 Frame ===> PgDn Move Down 1 Line ===> DnArrow Move Down 1 Paragraph ===> Ctrl+DnArrow Move Left 1 Character ===> LeftArrow Move Left 1 Word ===> Ctrl+LeftArrow Move Right 1 Character ===> RightArrow Move Right 1 Word ===> Ctrl+RightArrow Move Up 1 Frame ===> PgUp Move Up 1 Line ===> UpArrow Move Up 1 Paragraph ===> Ctrl+UpArrow Move to Beginning of Frame ===> Ctrl+Home Move to Beginning of Line ===> Home Move to Beginning of Text ===> Ctrl+PgUp Move to End of Frame ===> Ctrl+End Move to End of Line ===> End Move to End of Text ===> Ctrl+PgDn Navigator ===> N Next Page ===> PgDn None ===> Ctrl+N Nudge Down ===> DnArrow Nudge Up ===> UpArrow Nudge Left ===> LeftArrow Nudge Right ===> RightArrow Pan Down ===> Alt+DnArrow Pan Left ===> Alt+LeftArrow Pan Right ===> Alt+RightArrow Pan Up ===> Alt+UpArrow Pen ===> F12 Previous Page ===> PgUp Properties ===> Alt+Return Redo ===> Ctrl+Shift+Z Refresh Window ===> Ctrl+W Right ===> Ctrl+R Size ===> Alt+F10 Save As... ===> Ctrl+Shift+S Select Down 1 Frame ===> Shift+PgDn Select Down 1 Line ===> Shift+DnArrow Select Down 1 Paragraph ===> Ctrl+Shift+DnArrow Select Left 1 Character ===> Shift+LeftArrow Select Left 1 Word ===> Ctrl+Shift+LeftArrow Select Right 1 Character ===> Shift+RightArrow Select Right 1 Word ===> Ctrl+Shift+RightArrow Select Up 1 Frame ===> Shift+PgUp Select Up 1 Line ===> Shift+UpArrow Select Up 1 Paragraph ===> Ctrl+Shift+UpArrow Select all objects ===> Ctrl+A Select to Beginning of Frame ===> Ctrl+Shift+Home Select to Beginning of Line ===> Shift+Home Select to Beginning of Text ===> Ctrl+Shift+PgUp Select to End of Frame ===> Ctrl+Shift+End Select to End of Line ===> Shift+End Select to End of Text ===> Ctrl+Shift+PgDn Shape ===> F10 Show Non-Printing Characters ===> Ctrl+Shift+C Snap To Grid ===> Ctrl+Y Style List ===> Ctrl+Shift+S Super Nudge Down ===> Shift+DnArrow Super Nudge Left ===> Shift+LeftArrow Super Nudge Right ===> Shift+RightArrow Super Nudge Up ===> Shift+UpArrow Text ===> Ctrl+F10 To Back ===> Shift+PgDn To Front ===> Shift+PgUp Toggle Pick State ===> Ctrl+Space Toggle View ===> Shift+F9 Underline ===> Ctrl+U Vertical Text ===> Ctrl+. View Manager ===> Ctrl+F2 Zoom ===> Z Zoom Out ===> F3 Zoom One-Shot ===> F2 Zoom To Fit ===> F4 Zoom To Page ===> Shift+F4 Zoom To Selection ===> Shift+F2</td></tr>
</tbody></table>

CorelDRAW Fundamental

Tips Trik Penjelasan Shortcut dan Layout Coreldraw Lengkap LAYOUT CORELDRAW X3 LAYOUT CORELDRAW X7 (klik to Zoom) + Keterangan : Main ...

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11/19/2014 11:41:00 PM